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Gold leaf carries an immediate visual force. Its reflective surface catches daylight, candlelight and gallery illumination, turning a painted panel or…

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Art history in Nigeria is grounded in a rich visual record: ancient traditions, colonial encounters, post-independence modernism, contemporary experimentation…

Nigerian wooden masks are more than carved faces. They may embody deities, ancestors, spirits, animals, social authority or performers in a festival. Their…

Art rarely stays inside a political boundary. Objects, techniques, symbols and stories move with families, traders, pilgrims, students and performers, often…

An international art fair is a concentrated meeting point for artists, collectors, curators, galleries, museums and cultural organisations. For OYASAF,…

In the riverine societies of the Niger Delta, a mask can be far more than a carved object. It may carry a community’s understanding of waterways, ancestral…